They said will focus less on advertising and more on sponsorships for Disney Online and licensed game development. While some endeavors have shown profitability, such as an app in Japan and the combined game and toy line Infinity, the segment as a whole is unprofitable for Disney. With a lack of growth in toy-to-game market and increasing developmental costs, in May , Disney Interactive discontinued Disney Infinity and closed down the unit that developed Infinity, Avalanche Software.
BPM for Si No Te Hubiera Conocido (Christina Aguilera) - GetSongBPM
The company ended all self-publishing efforts. Entertainment Weekly Entertainment Weekly is an American magazine, published by Meredith Corporation , that covers film, music, Broadway theatre and popular culture. Different from celebrity-focused publications like Us Weekly , In Touch Weekly , EW concentrates on entertainment media news and critical reviews.
However, unlike Variety and The Hollywood Reporter , which are aimed at industry insiders, EW targets a more general audience; the first issue was published on February 16, Created by Jeff Jarvis and founded by Michael Klingensmith, who served as publisher until October , the magazine's original television advertising soliciting pre-publication subscribers portrayed it as a consumer guide to popular culture, including movies and book reviews, sometimes with video game and stage reviews, too.. EW won the same award again in The network is "a free, ad-supported online-video network carries short- and long-form programming covering celebrities, pop culture and human-interest stories".
It was rebranded as PeopleTV in September ; the magazine features celebrities on the cover and addresses topics such as television ratings, movie grosses, production costs, concert ticket sales, ad budgets, in-depth articles about scheduling, showrunners , etc. It publishes several "double issues" each year; the magazine numbers its issues sequentially, it counts each double issue as "two" issues so that it can fulfil its marketing claim of 52 issues per year for subscribers.
Entertainment Weekly follows a typical magazine format by featuring a letters to the editor and table of contents in the first few pages, while featuring advertisements. While many advertisements are unrelated to the entertainment industry, the majority of ads are related to up-and-coming television, film or music events; these beginning articles open the magazine and as a rule focus on current events in pop culture.
The whole section runs eight to ten pages long, features short news articles, as well as several specific recurring sections: " Sound Bites " opens the magazine. There will be some continuity to the commentaries; this column was written by Jim Mullen and featured twenty events each week, Dalton Ross wrote an abbreviated version.
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It gives details, in the separate columns, on the most-current news in television and music. Because its focus is on celebrity fashion or lifestyle, it is graphically rich in nature, featuring many photographs or other images. The page converted to a new format: five pictures of celebrity fashions for the week, graded on the magazine's review "A"-to-"F" scale.
A spin-off section, "Style Hunter", which finds reader-requested articles of clothing or accessories that have appeared in pop culture appears frequently. Deaths of major celebrities are detailed in a one-half- or full-page obituary titled "Legacy"; this feature is nearly identical to sister publication People's "Passages" feature. The "celebrity" column, the final section of "News and Notes", is devoted to a different column each week, written by two of the magazine's more-prominent writers: " The Final Cut " is written by former executive editor and author Mark Harris.
Harris' column focuses on analyzing current popular-culture events, is the most serious of the columns. Harris has written among other topics. After several profiles of Cody in the months leading up to and following the release of her debut film, she was hired to write a column detailing her unique view of the entertainment business. If You Ask Me There are four to six major articles within the middle pages of the magazine; these articles are most interviews, but there are narrative articles as well as lists.
Feature articles tend to focus on movies and television and less on books and the theatre. In the magazine's history, there have only been a few cover stories devoted to authors. There are seven sections of reviews in the back pages of each issue together enc. After the commercial success of her debut studio effort, Christina Aguilera, Aguilera recorded her follow-up project during , it includes five Spanish-language versions of tracks from her previous album, in addition to four original compositions and two cover songs.
It reached number two in Argentina and Uruguay , has sold an estimated three million copies worldwide. Upon its release, Mi Reflejo received mixed reviews from music critics, who noted musical similarities to Christina Aguilera. To promote the album, Aguilera extended her tour, Christina Aguilera in Concert , into for eight more dates and performed at the Grammy Awards. According to her manager Steve Kurtz , Aguilera expressed interest in recording a Spanish-language album before she recorded her debut studio album Christina Aguilera.
At the time, Aguilera was touring to promote her debut album and recording a Christmas album My Kind of Christmas , released in Mi Reflejo was intended to be titled Latin Lover Girl. Aguilera wanted Fonsi to perform a duet with her because she felt that she could relate to him as they "grew up listening to the same things". At Metacritic , which assigns a normalized rating out of to reviews from mainstream critics, Mi Reflejo received an average score of 56, based on seven reviews, indicating "mixed or average reviews".
Stephen Erlewine of Allmusic described the album as a mirror image of her debut album Christina Aguilera. He felt that it was a "little too familiar" although he praised recordings as "well-produced". An editor for Billboard wrote that Aguilera has yielded a mainstream pop album with Latin inflections. Eliseo Cardona of CDNow gave the album a mixed review.
While he enjoyed Aguilera's vocal performance, which he described as " gracefully, forcefully ", he criticized the literal Spanish translation of the lyrics from English which he said made a "good laugh and a better yawn", he commended "Cuando No es Contigo" as making Aguilera a "credible, expressive salsera" and her cover of "Contigo en la Distancia" as the album's finest moment.
David Browne of Entertainment Weekly , who gave the album a C rating, wrote the review in a parody memo from Aguilera's point of view, he mocked at Aguilera's attempt at making Spanish-language album because of her Ecuadorian heritage, criticized her "unnecessary" high note", ballads that "old Latin ladies'll like", the photos used in the album's booklet. Mike Magnuson of HOB. Though he mentions that "you can count on her agreeable voice" and lauded the use of Latin percussion and horns, he asserted that the record was "purely a marketing scam gone too far.
Sonicnet called its production "superslick" and compared Aguilera's vocals to that of Mariah Carey , completing that the album "almost guarantees that the diminutive diva will expand her colonial powers south of the border. In other words, she's planning to do a reverse Ricky Martin on us". Ernesto Lechner of the Los Angeles Times rated the album two out of four stars comparing her vocals in her debut album and in Mi Reflejo, describing her performance in the latter as "ridiculous", he complained about Aguilera's cover of "Contigo en la Distancia" which he des.
Since October , chart rankings are based on digital sales, radio airplay, online streaming, only predominantly Spanish-language songs are allowed to rank; the chart was established by the magazine on September 6, and was based on airplay on Latin music radio stations.
As of the issue for the week ending on April 13, , the chart has had different number one hits, while artists have reached number one; the current number one song is "Mia" by Bad Bunny featuring Drake. During the s decade, the data were compiled by the Billboard chart and research department with information from 70 Spanish-language radio stations in the United States and Puerto Rico. Those radio stations were selected based on their number of listeners, were asked to report their playlists for the week. This data was compiled by Nielsen Broadcast Data Systems , which electronically monitors radio stations in more than music markets across the United States.
Before this chart's inception, the Latin music information on the magazine was presented only in the form of the biweekly album sales chart Top Latin Albums , which continues to be listed separately. There were no language restrictions on the chart, since a few songs in English and Portuguese have charted and reached number one on five occasions. In , three charts were introduced in addition to Hot Latin Songs: Latin Pop Airplay , which deals with pop songs whether or not it is Spanish-language. In , the Latin Rhythm Airplay chart was introduced in response to the growing influence of Latin hip hop and reggaeton.
Due to the increasing popularity of downloads sales and streaming data, Billboard updated the methodology for the Hot Latin Songs chart on October 11, to include digital sales and streaming activity in addition to airplay, as well as making only predominantly Spanish-language songs eligible for inclusion and increasing airplay data to more than 1, radio stations across the United States.
There are several component charts; the most significant ones are: Latin Airplay : The chart measures the songs with most radio airplay audience impressions on Regional Mexican , Latin pop and Latin rhythm stations. Non-primarily-Spanish-language songs are eligible for inclusion, it was established on November 12, Latin Digital Songs: The chart measures the best-selling Spanish-language digital songs, it was established on January 23, Latin Streaming Songs : The chart measures the most-streamed Spanish-language songs and videos on selected online music services, it was established on April 20, The tracking week for sales and streaming begins on Friday and ends on Thursday, while the radio play tracking-week runs from Monday to Sunday.
A new chart is compiled and released to the public by Billboard on Tuesday. Each chart is post-dated with the "week-ending" issue date four days after the charts are refreshed online. For example: Friday, January 1 — sales tracking-week begins, streaming tracking-week begins Monday, January 4 — airplay tracking-week begins Thursday, January 7 — sales tracking-week ends, streaming tracking-week ends Sunday, January 10 — airplay tracking-week ends Tuesday, January 12 — new chart released, with issue post-dated Saturday, January 16 The methods and policies by which this data is obtained and compiled have changed many times throughout the chart's history.
Since October 11, , the Billboard Hot Latin Songs tracks paid digital downloads and streaming activity. Billboard started tracking downloads since January 10, with the Latin Digital Songs chart. However, these downloads did not count towards Hot Latin Songs. A component Latin Streaming Songs chart was introduced on April 20, , which ranks web radio streams from services such as Spotify , as well as o.
Song A song is a single work of music, intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that include the repetition of sections. Through semantic widening, a broader sense of the word "song" may refer to instrumentals. Written words created for music or for which music is created, are called lyrics.
If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants.
Songs in a simple style that are learned informally are referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs; these songs, which have broad appeal, are composed by professional songwriters and lyricists. Art songs are composed by trained classical composers for recital performances. Songs are recorded on audio or video. Songs may appear in plays, musical theatre, stage shows of any form, within operas.
A song may be for a solo singer, a lead singer supported by background singers, a duet, trio, or larger ensemble involving more voices singing in harmony, although the term is not used for large classical music vocal forms including opera and oratorio , which use terms such as aria and recitative instead. Songs with more than one voice to a part singing in polyphony or harmony are considered choral works. Songs can be broadly divided depending on the criteria used.
Si No Te Hubiera Conocido (by Christina Aguilera ft. Luis Fonsi) parodies
Art songs require strong vocal technique, understanding of language and poetry for interpretation. Though such singers may perform popular or folk songs on their programs, these characteristics and the use of poetry are what distinguish art songs from popular songs. Art songs are a tradition from most European countries, now other countries with classical music traditions. German-speaking communities use the term art song to distinguish so-called "serious" compositions from folk song. The lyrics are written by a poet or lyricist and the music separately by a composer. Art songs may be more formally complicated than popular or folk songs, though many early Lieder by the likes of Franz Schubert are in simple strophic form; the accompaniment of European art songs is considered as an important part of the composition.
Some art songs are so revered. Art songs emerge from the tradition of singing romantic love songs to an ideal or imaginary person and from religious songs; the troubadours and bards of Europe began the documented tradition of romantic songs, continued by the Elizabethan lutenists. Some of the earliest art songs are found in the music of Henry Purcell ; the tradition of the romance , a love song with a flowing accompaniment in triple meter, entered opera in the 19th century, spread from there throughout Europe.
It became one of the underpinnings of popular songs. While a romance has a simple accompaniment, art songs tend to have complicated, sophisticated accompaniments that underpin, illustrate or provide contrast to the voice. Sometimes the accompaniment performer has the melody.
Folk songs are songs of anonymous origin that are transmitted orally, they are a major aspect of national or cultural identity. Art songs approach the status of folk songs when people forget who the author was. Folk songs are frequently transmitted non-orally in the modern era. Folk songs exist in every culture.